Thursday, 17 February 2011

Explain how certain media can be termed postmodern.

Postmodernism like modernism follows most of these same ideas rejecting boundaries between high and low forms of art rejecting right genre distinction emphasising pastiche, parody, bricolage, irony, and playfulness. Postmodernism and Modernism are very similar, but it differs in its attitude towards a lot of these characteristics. Modernisms view of fragmentation  is that of something tragic, something with meaning. While Postmodernism in contrast, celebrates and encourages fragmentation, that the world is meaningless so why pretend that the art has meaning, when it should be celebrated for its just plain right nonsense! We are constantly immersed in a media, at school, at home out in the town - the distinction between reality and the media representation becomes blurred, we no longer have any sense of the difference between reality and the media. Texts are deliberately exposed to display to the audience that the texts aren't real. While others suggest that postmodern is just an alternative way, a new way of thinking about media, when it has always been this way.
Some of the main ideas of post modernism are that it rejects the idea that any media product is of any lesser or greater value than another, anything can be art anything can attract an audience. The distinction between media and reality has disappeared, we now live in a world where representations have been formed by the media.
There are many media examples of media products which postmodernism ideas are strongly emphasised throughout, for TV drama, I will be using case studies on the Inbetweeners, and I will also delve into the gaming world, using Call of duty.
The Inbetweeners (E4 2004) Is set around four male A Level students attending a local secondary school; however the focal point is Will who joins the school, when his wealthy parents divorce, thus ending his luxury all expenses paid education ride on the public school parade. The situation is ordinary enough. It's a daily occurrence for children to have to attend their first day at school, having to meet new friends and just trying to fit in. However this ordinariness, could also be considered postmodern.
            In some respect it parodies previous school based dramas, such as Grange Hill (1978-2008) and Byker Grove (1989 - 2006). In the fact it sets the drama around characters at school, but makes the characters the complete opposite of these 2 older dramas, the inbetweeners characters frequently swear and make sexual references. None of which would of happened in Grange Hill or Byker grove, which were both more moral and focused on matters that faced there young children  audiences in that era. This can also be said to be argued with BBC 1's Waterloo road. Although it could be considered that Byker grove and Grange hill were postmodern for their time.
Bricolage mixes up and uses different genres and styles. In the Inbetweeners it mixes up; Comedy, drama, romance, realistic issues and slapstick. Comedy – making jokes, to entertain the audience, such as making up names for Will, for his Brief case and large badge he had on his first day at school. Drama – by using realistic characters and following their lives. Romance – Following the romance of Simon and his love for Carli, with other romances regularly shown, With Simons persistent crush on Charlotte, and in series 2 episode 6, Jays change in romance style for a ‘real’ girl called Chloe, showing the importance romance plays in contemporary British boys lives. Realistic Issues – Will trying not to be in the unpopular crew, wanting to be accepted by his new school, in trying to buy a drink while underage. Slapstick – Will being thrown in to lake in his underpants by the mechanics at the garage where he is doing work experience in series 2 episode 2. Bricolage is also strongly shown in the film 'Brick' where it mixes us high school drama, with crime and mystery, it doesn't run in a linear sequence order of events, the use of Dutch camera shots, which show a conversation between head teacher and student, in an unconventional way, where the conversation wouldn't be considered normal between student and head teacher, which dialogue exchanged would be more relevant for a crime film than high school drama.
The blurring of boundary between text and audience is a characteristic of all videogame. The audience becomes an active participant in the game. Even in two dimensional arcade games of the 1980's, the player is involved in the text by using a controller to control a character in a game.
            It is the level of immersion that characterises modern gaming. There are three main elements in Call of Duty that involve the player further with the game.  The first person perspective, the gamer sees the environment of the game as if you are  the character in the game (seeing the hands holding the gun). The level of immersion becomes even more compelling with missions where it demands your participation in the game, this is also shown in other first person shooters, such as resident evil, where missions require you to crack puzzles to get into a room and to get further into the game.
The detailed three-dimensional mise-en scene, in modern days, the advancements of technologies, allowing very high graphics to be displayed on screen, The Xbox 360 for example has a 500 MHz graphics card, which can show very high detailed images. Games are often being designed on real buildings and places. for example GTA vice city, the streets are actually based on street maps of vice city. Where people from that city, could know where to drive to places without using the satnav, as if they were driving there in real life. The incredible of amount of detail that goes into parts of the scenes what are just really background scene filling images, in one level on COD MW2, A winter tale, appears on a shelf on the shelves of a book shop, in this level the Moscow airport is also based on the real Moscow airport.
With the increasing ability to play games online against other people, has led game designers to spend alot more focus on the online play rather than the single player game. Being able to play against other people allows more freedom and blurring of boundaries are emphasised even more. As it feels like you are actually shooting at other people. With psychologists claiming that children playing games such as Call of Duty actually creates aggressive behaviour in real life from them, and this is why games have age ratings on them.

Thursday, 11 November 2010

Wednesday, 10 November 2010

Islam homework

1)Add link to revolutionmuslim.com to your blogs

Find 3 other websites that represent Islam, Aim for varying or even conflicting representations.

2) Add links to 3websites that describe/ infrom us about "The Hamburg Cell" (Channel 4 docu - drama)


Due next lesson. Wednesay morning.

http://www.revolutionmuslim.com/

websites what represent Islam!..

http://www.doveworld.org/the-sign
http://www.ummah.com/waragainstislam/
http://www.islamophobia-watch.com/

That decribe/ inform us about 'The Hmburg Cell'
http://en.wikipedia.org/wiki/Hamburg_cell

Saturday, 23 October 2010

Analyse the ways in which the media represents women.

I have chosen to focus on the representation of woman in Britain, using contemporary British film as a case study. I will examine wasp and fish tank by Andrea Arnold. I will also consider feminist theories of gender and Althusser's theory of Interpellation in my answer.


Historically female characters have been represented as the curtailing wives, prospective wives or married lovers for the central male characters ambitions perhaps most notably in 'A kind of Loving' and 'Saturday Night, Sunday Morning'. Of course there were exceptions of course. New Realism is a contemporary movement in British film directors, such as Andrea Arnold aim to produce "a more truthful cinema" We may assume that a more truthful representation of women is a particular goal. Arnold has used the rules of Dogme 95 ("The vows of Chasity") - developed with Danish Director Lars von Trier - to achieve this; Her representations are shaped by all Filming must be done on location. Props and sets must not be brought in, Only Diegetic sound to be used The camera must be hand-held; filming must take place where the action takes place,The film must be in colour. No special lighting, Optical work and filters are forbidden, No superficial action (No murders, weapons, etc.), No temporal or geographical alienation, No genre movies, the aspect ratio must be 4:3, not widescreen and the director must not be credited.

Andrea Arnold uses the ‘Vows of Chastity in Wasp to present British women as trapped by their domestic lives. Andrea has carefully chosen locations of shots, of high run down blocks of flats, stair cases cramped and doomy, a shot of a locked gate, all suggest to the audience that Zoe is trapped, with the majority of the shots, with the children close by. That she always has to look after them, not allowing her to have a life outside of them, any freedom away from them. The audience is made to feel both sorry and annoyed at Zoe. They feel sorry that shes in this situation and we can associate with her, that she lacks personal freedom, But The audience also feels that if she wants to have children then she has a responsibility to look after them to put them first.

In Fish Tank and Wasp, the mothers are both single mothers bringing up children with very little Money and will often be considered as being neglectful to their children. They do not feel that they themselves have given the children a bad upbringing, but will blame everything else including their own children on the situation. In FT in the closing scenes, the audience see Mia farewell to the family, the mother is portrayed as uncaring “Haven’t you gone yet” and just dances while drinking and smoking as Mia says Goodbye, She doesn’t even see her off to the car” while in Fish tank the Mother chooses to attend a date with a Man, than too look after the children who are left outside. In earlier scenes we saw that the children were hungry, but were fed with a bag of sugar between them, but during the date we see the Mum using all of her money to buy a round of drinks than to use the money to pay for the children to have a meal. Also During a sequence in Fish Tank, Mias family are driven to the family by Connor, where it could be considered that sexual rivalry is present between mother and daughter. Sigmund Freud Oedipal triangle, which states that The daughter is jealous of the Mum and wants to be loved by the Mums lover, while the Mum is Jealous of the daughter, as she is ‘the younger version’ of her and feels threatened by her own daughter. In a dramatic twist in Fish Tank, at the discovery of Conors hidden life, Mia takes the extreme unthinkable measure of kidnapping Conors daughter, this in turn, transforms Mia into a Mother figure to the girl, A mother is meant to take care of the child, to look after and to protect, but Mia transforms to her own harmful mother role. In a turn of events Mia does in anger throw the daughter into the water, however this brought out the caring mother of Mia, to save her and to hug her after and takes her home.

Although the portrayal of the failing mothers is not shown through out the film and it can be argued that they are caring mothers, especially in wasp. When the mother brings food to the children outside the pub, with the pubs music playing. She dances with the children, to try and keep them entertained, and to show that she is still thinking of them, as she tells them that she told the DJ to play that song for them. Although left out, the mother feels the children will be more secure at the pub, so that they can come and get her if needed, rather than just leaving them at home alone. This is also emphasised during the scene with the Wasp. The caring mother in her even though not revealing the real reason persuades the date to not drive anywhere from the pub and when the Children scream, she runs out to them, to help them and look after them. The audience feels sympathy for Zoe at this point, that she really does care, but she doesn’t have the help she needs to provide her children with the best care, but the love for them is clear.

In these 2 case studies, it is often evident that the Children are the main carers for the family. In Fish tank, we have this idea that Mia and her sister don’t have a good relationship, that they don’t care for each other. However in the goodbye scene the audience witnesses a change in attitude to each other, the love and the cheekyness, that Mia sister really looks up to her and that Mia really cares for her. This is also evident in Wasp with Kelly, the eldest sister caring for the other children, sharing the food between them equally, while the Mother is inside. She wants to fix the hunger the siblings are feeling, so acts herself in order to look after them.

Winship (2008) states that the predominant view of women in the media is constructed by a male prospectus. This is known as the male gaze, so dominant is the male gaze that women are complicit, defining themselves according to what Men want, so are often portrayed as sex objects, that feel pressured to look like how Men want to view them . E.g. Sexually. When for casting for the lead actress in “MorvernCallar” the director purposely chose someone she thought looked like they could work in a supermarket and who looked bit bored in their picture. This allows us as the audience to focus more on the plot of the film and also allows us to connect their lives with ones similar in real life. Though in the films I watched the women selected are purposely chosen not to look as though they were fashion models, instead they were meant to look like the sorts of people you would expect to see living in council blocks. This allows us as the audience to focus more on the plot of the film and also allows us to connect their lives with ones similar in real life. We do see in “Fish Tank” the male gaze when Mia dances for Conor, which then ends up in the pair having sex, this was also shown earlier in the film with Mias mother and Conor at the flat party, again this similarity is seen in ‘Wasp’ with Zoe comparing herself to Victoria Beckham and Dave – David Beckham. In preparation for the date, Mia dresses up in clothes than a Man would like to see a woman wear.

Monday, 30 August 2010

Chase idea

Click on the pictures to enlarge, hopefully it will be readable... Drawings clearly done by a toddler...

Patrick and I also discussed the possibility of a bomb and an explosion and how we could have a timer throughout the film, to build up tension. For this I need to practice with after effects on explosions..

Green screening

The other day, I realised that if I wanted to go on to do digital effects in films and adverts etc. That I need to advance on my skills, therefore I decided to buy a green screen, So I did along with lighting with umbrellas. I will soon be adding my n00b of a video, where it clearly shows I should not be on camera.
That is all.

Wednesday, 23 June 2010

General views of film posters before...

Romance:
An image of a couple together, comfortable looking

colours: Bright colours
white - purity, innocence
red- love

Horror:
unclear blurred image, tense moment
blood, monsters

colours: Dark
Black - Danger, death
Red - Blood


Action:
An action shot, of an explosion, flames, exciting, transport (helicopters)
busy, dark colours

Crime:
Guns, gangs, hidden identities, worn down environment, police, dark colours


Comedy:
A funny image, bright colours.

Posters

Today I have been going through www.themovieinsider.com and going through the recent, current and upcoming film posters. I have been putting them all to a big powerpoint, trying to sort them out in to separate genres to make it easier for me to compare the similarities and differences in layout and styles of posters between genres. I'm going to try and make notes on as many posters as I can in the powerpoint so I get a better idea of what posters should involve.




Evidence of me doing a poster presentation

Tuesday, 22 June 2010

Start of the A2 course

This week we have been informed of what the course involves over the next year, I will continue to use this blog to display my work. My first posts will be all to do with researching recent and current film projects ( trailers, posters, magazines and websites)

Tuesday, 11 May 2010